Too Many Times (1998 revision)

a song for Laurie Anderson's "Here"

by Howard A. Landman


Your eyes, what do they think they see?
What picture? All I know it isn't me.
My form is different in the light.
How long before you come to see me right?
We're stuck, in some repeating groove.
Just go in circles when we try to move.
Each time, I try to make it stop
You start in and we take it from the top.
Chorus:
Old story, been told before
You know the lines
Two people, together
Too Many Times
Oh please! Not another word.
There's nothing you can say I haven't heard.
Deep breath; stop and count to ten
Then hit it again and again and again ...
Repeat chorus
Bridge:
Years and years and years of "we"
Too much of you, too much of me
But all in all it always came
To much the same
What words, would work to set things right?
No name comes near the place we go each night.
New page, the paper white and small:
Big thoughts make little sentence after all.
Repeat chorus
Repeat chorus

This song was begun as an attempt to satisfy the conditions set by Laurie Anderson in her web page "Here". (Note: You will need the ShockWave plug-in from MacroMedia to view the most interesting features.)

Basically, the challenge was to write a song using only the 258 most common words in the English language. This is harder than it sounds, because most of these words are simple articles (a, an, the) or prepositions indicating relationship in space or time (at, to, between, after). There are very few verbs and nouns.

As the song matured, I found that it wanted to go outside those boundaries in a few places, and eventually I let it. Still, the incredible creative tension of trying to live within them led me to write something very strange, and very different from my other songs. Even now, I find some of the lyrics mysterious and weirdly resonant.

To enhance this oddness, I play the song in open D5 tuning (DADDAD), which is a tuning I have never used before. It's kind of a "slack key" variant on open E5 (EBEEBE), which a friend of mine in high school used to like. This very drony tuning gives a dulcimer-like quality to the guitar, and allows simple fingering of many 2-note chords (any 5th chord and any 2-note chord including D).

This 1998 revision of the song deletes one old verse and adds two new ones. It fits less within the original limitations, but is intended to evoke the "stuck in a rut" feeling more strongly.


Copyright ©1997,1998,1999,2004 Howard A. Landman / howard@polyamory.org
Last updated 2004 January 15